Seeing the Funny Side of David Mamet
“Gambling is better than heroin, better than sex.”
Billy Hahn

I missed this play in 2010 and normally the playwright Richard Bean would make his plays a must see for me. The origin is a David Mamet film of the same name House of Games which I also hadn’t seen, doing more Mamet on stage than in the cinema. So before I reviewed this production at Hampstead Theatre, I felt it wise to watch the movie.
Whereas I found the 1987 film starring one of David Mamet’s former wives, Lindsay Crouse, decidedly lacklustre, I was thrilled by the staging and rewrite of this play about gambling, scams, con artists and a therapist Dr Margaret Ford (Lisa Dillon). The first scene is in her office where she is counselling Billy Hahn (Oscar Lloyd) a young man in his twenties, who has a gambling problem and a gun to end it all. He says he owes thousands to a man called Mike at a bar called House of Games.

Ashley Martin-Davies’ set splits the stage horizontally with Margaret’s office on the upper level, bright, light, functional and down below the bar and gambling house. This is where we can see House of Games in neon light strip reflected in the window in reverse, with its dark bar, chairs and table with green baize and a room beyond. Talk about the Cubs places us in Chicago.
Margaret arrives to find Mike and meets the bartender Bobby, in Hells Angels outfit and tattoos (Andrew Whipp). She is neatly dressed in her office outfit and slightly out of place. She asks whether Mike is there. A man appears (Richard Harrington) who after some introductory banter, admits he is Mike. The bar tender recognises Margaret from the dust jacket of her book “Driven” and asks her to sign both his copies.
Margaret explains that she is there on behalf of her friend Billy who owes Mike a considerable sum of money. With a mutual attraction between Mike and Margaret, he agrees to teach her about a con game as a subject for her next book. Watching this play, you will learn about the short con, the long con, Hold’Em Poker, tells and be amazed at the twists. You could say that it is the audience who is being cleverly conned.

Lisa Dillon gives a believable performance as a well-meaning, strait-laced therapist and writer, but bored of her easy life and open to excitement. As Margaret she has great sexual chemistry with Richard Harrington’s Mike and he is a very smooth operator with the necessary charisma.
Jonathan Kent’s cast put on great ensemble performances: Andrew Whipp as Bobby the barman as Margaret’s number one fan, Robin Soans as the older roué and experienced con artist, Siôn Tudor Owen as George bemoaning always having to be “the obnoxious, fat guy” and Oscar Lloyd as the youngest gambling addict These characters are firmly established and interesting.

I loved Richard Bean’s insertion of wit into the script and his believable and exciting ending. Bravo to him for his excellent adaptation of Mamet’s grim film, into something much more fun with clever adaptations of the twists and actual improvements on those in the movie. This is Richard Bean’s third collaboration with Hampstead that I have seen after To Have and to Hold now on in Hull and Reykjavik.
Well done to Jonathan Kent for giving this play the satisfying production it deserves. I think this version could be filmed and enjoyed by many more. For all of the above, I give House of Games five stars from Theatrevibe. You might say this is a con as Theatrevibe is the online site that doesn’t give stars!


Production Notes
House of Games
Adapted by Richard Bean
From David Mamet’s screenplay
Directed by Johnathan Kent
Cast
Starring:
Creatives
Director: Jonathan Kent
Set Designer: Ashley Martin-Davis
Costume Designer: Deborah Andrews
Composer: Nicholas Skilbeck
Lighting Designer: Peter Mumford
Sound Designer: Paul Groothuis
Fight Director: Paul Benzing
Poker Coach: Gary Knights
Information
Running Time: One hour 45 minutes without an interval
Booking to 7th June 2025
Theatre:
Hampstead Theatre
Eton Avenue
Swiss Cottage
Tube: Swiss Cottage
Reviewed
by Lizzie Loveridge at
Hampstead Theatre
on 12th May 2025
