The Sequel to the Superior Prima Facie
“Pleading not guilty doesn’t mean you didn’t do it.”
Jessica

It is always the most difficult to write. The Second play after the first one has been a big hit. Now while Prima Facie was not Australian playwright Suzie Miller’s first play, it has been a massive worldwide hit with Jodie Comer in the starring role. Prima Facie featured a barrister who has made a career out of defending men accused of rape . . . until she herself is subject to a sexual assault. So here in Inter Alia we have a woman judge who has tried to champion women with her “soft” skills who finds her 18 year old son accused of rape, another “boot on the other foot” plot featuring women lawyers.
Justin Martin again directs with his trademark of actors standing on the furniture and the opening scene is Judge Jessica Parks (Rosamund Pike) in full judicial robes, holding a microphone and behaving like a rock star. The judge’s monologue is delivered at a furious pace; we cannot fail to be awed by her memory of this word heavy performance. However, there is no time for us to reflect upon her torrent of words.

We hear her reprimanding Mr Cooper, the booming, patronising defence counsel in a rape case. Mr Drake the brutal rapist is sentenced by her to seven years, half of the sentence at least to be served in prison. She has seen Mr Drake’s mother weeping at the sentence given to her son.
We start to be reminded that as well as a judge, she is a mother with a teenage son who can’t find the Hawaiian shirt for a themed party when his repeated phone callsi nterrupt her in the middle of a court case. A flash back scene shows her son Harry (Jasper Talbot) acting guiltily watching a video and she assumes it is porn. She delivers a lecture on why porn is misleading only to discover it is a video game he doesn’t want her to know he’s watching. Her husband Michael Wheatley (Jamie Glover) is also a successful KC barrister but who hasn’t been accorded judge status: a slight rivalry here.
Some of the play shows her mothering, panic at losing her child when he’s a toddler, discussing sex with him and respect for girls when he’s older. We see Jessica having fun on a karaoke night – an unlikely leisure time pursuit we feel. Jamie has a signature yellow coat with fur lined hood at all ages so we can have scenes of his upbringing. She sends him to shop for party food at Tesco. She’s insisting that he doesn’t go to more upmarket supermarkets as loyalty to her working class roots; again unlikely unless she’s shopping for Tesco Finest!

Then the incident where both her worlds collide when Harry goes to a party, drinks a lot of alcohol and has sex with a girl. There is a conflict between her love for her son and her quasi-feminist principles and no apparent solution.
Justin Martin’s direction has chairs thrown about when there is an argument and standing on the table, using microphones in the court and karaoke scenes. Miriam Buether’s kitchen set slides smoothly into the court scenes. Jessica’s judge costume is incorporated on an apron and she tries on the long wig. I loved the exciting lighting from Natasha Chivers.
I do not rate Inter Alia as highly as Prima Facie, finding it slavish to the previous format with the jokey early presentation interfering with sympathy for the main character’s predicament.

Production Notes
Inter alia
Written by Susie Miller
Directed by Justin Martin
Cast
Starring:
Rosamund Pike
Jamie Glover
Jasper Talbot
Creatives
Director: Justin Martin
Designer: Miriam Buether
Movement and Intimacy: Lucy Hind
Lighting Designer: Natasha Chivers
Composer: Erin LeCount, James
Jacob PKA Jakwob
Sound Design: Max and Ben Ringham
Information
Running Time: One hour 45 minutes
Booking to 13th September 2025
Theatre:
Lyttelton Theatre
Reviewed by Lizzie Loveridge
at the Lyttelton Theatre
on 1st August 2025