Read more about the article REVIEW: Dixon and Daughters, Dorfman NT (2023)
DIXON AND DAUGHTERS by Deborah Bruce ; Production ; Cast ; Brid Brennan as Mary ; Alison Fitzjohn as Briana ; Yazmin Kayani as Ella ; Andrea Lowe as Julie ; Posy Sterling as Leigh ; Directed by Roisin McBrinn ; Set and Costume Designer: Kat Heath ; Lighting Designer: Paule Constable ; Sound Designer: Sinead Diskin ; Movement Director: Sarita Piotrowski ; Fight Director: Bethan Clark ; Dialect Coach: Michaela Kennen ; Staff Director: Monae Robinson ; Casting by Alastair Coomer CDG & Bryony Jarvis-Taylor ; Company Voice Work: Shereen Ibrahim ; Wellbeing Practitioner: Samantha Llewellyn ; Associate Lighting: Mildred Moyo ; A co-production with Clean Break and National Theatre ; London, UK ; 15 April 2023 ; Credit and copyright: Helen Murray www.helenmurrayphotos.com

REVIEW: Dixon and Daughters, Dorfman NT (2023)

What Deborah Bruce’s play at the National Theatre does well is to explore the fall out from situations of child abuse.  The damage to the children is compounded by not being believed and those closest to them, who should protect them,  allying with their abuser.

Continue ReadingREVIEW: Dixon and Daughters, Dorfman NT (2023)
Read more about the article REVIEW: Blood, Gold and Oil, Upstairs at the Gatehouse (2023)
Douglas Clarke Wood as TE Lawrence, Suzanna Hamilton as Dr Caroline Howard. (Photo: Upstairs at the Gatehouse)

REVIEW: Blood, Gold and Oil, Upstairs at the Gatehouse (2023)

Adulation and Flagellation - TE Lawrence "How do you give away countries?"  TE Lawrence Douglas Clarke Wood as TE Lawrence, Suzanna Hamilton as Dr Caroline Howard. (Photo: Upstairs at the Gatehouse)…

Continue ReadingREVIEW: Blood, Gold and Oil, Upstairs at the Gatehouse (2023)
Read more about the article REVIEW: Dancing at Lughnasa, Olivier (2023)
Bláithín Mac Gabhann as Rose, Alison Oliver as Chris, Louisa Harland as Agnes and Siobhán McSweeney as Maggie (Photo: Johan Persson)

REVIEW: Dancing at Lughnasa, Olivier (2023)

Robert Jones’ set is idyllic. A bead curtain hangs implying that rain is falling and we can see a large tree close by. A curved path winds through the grass and peat to the Mundys’ kitchen with its solid oak dining table, chairs and dresser. To the rear are mountains and a blue sky and bracken lined scrub.Another arrival at the Mundy house is Gerry Evans (Tom Riley) the father of Chrissie’s son Michael. Gerry’s latesst career development is as a gramophone salesman but he is feckless and unreliable although Chris is obviously still in love with him.As the radio symbolises a modern world that is about to descend on rural Ireland, so we hear that a factory will replace the home knitters but there is no place for Rose and Agnes. After Rose meets a boy at Lughnasa known for its trial marriages, the family search for her because they cannot cope with another scandal and Rose is very vulnerable. Rose and Agnes run away to a life of destitution in London. Chrissie, we are told by Michael, will spend the rest of her life as a worker in that knitwear fa

Continue ReadingREVIEW: Dancing at Lughnasa, Olivier (2023)