REVIEW: My Night With Reg, Turbine Theatre (2021)
Extended to 11th September With Gala Charity Night on 18th August
In aid of Terence Higgins Trust

Kevin Elyot was commissioned to write a new play for Hampstead which was My Night With Reg which was turned down, presumably by, the then, Artistic Director at Hampstead, Jenny Topper. Not something you want to put on your cv! Stephen Daldry had just taken over as Artistic Director at the Royal Court and he snapped up My Night With Reg, asked Roger Michell to direct and cast David Bamber as Guy, Anthony Calf as John, the ebullient John Sessions as Daniel, and Joe Duttine as Eric.

Continue ReadingREVIEW: My Night With Reg, Turbine Theatre (2021)
Extended to 11th September With Gala Charity Night on 18th August
In aid of Terence Higgins Trust
Read more about the article REVIEW: The Two Character Play, Hampstead Theatre (2021)
Kate O'Flynn as Clare and Zubin Varla as Felice (Photo: Marc Brenner)

REVIEW: The Two Character Play, Hampstead Theatre (2021)

Tennessee Williams described this play as, "My most beautiful play since Streetcar, the very heart of my life."  That quote has since been criticised as raising expectations of the more modern play which was special to Tennessee Williams because it is about his sister Rose, but likening it to one of the greatest plays of the twentieth century. 

Continue ReadingREVIEW: The Two Character Play, Hampstead Theatre (2021)
Read more about the article REVIEW: Romeo and Juliet, Shakespeare’s Globe (2021)
Rebekah Murrell as Juliet and Alfred Enoch as Romeo (Photo: Marc Brenner)

REVIEW: Romeo and Juliet, Shakespeare’s Globe (2021)

What is thrilling about this production is the two principal actors, Rebekah Morrell as Juliet and Alfred Enoch as Romeo.  The love and attraction connection between these two is believable and we want them to succeed.  They both speak the verse really well so we can hear every word in this space, when at some time, because of columns, we will be unable to see who is speaking.        

Continue ReadingREVIEW: Romeo and Juliet, Shakespeare’s Globe (2021)