Read more about the article REVIEW: Black Watch, Barbican (2008)
The Cast in Black Watch - Photo: Manuel Harlan

REVIEW: Black Watch, Barbican (2008)

The finale sees the company of men lining up for marching using their arms to judge the distance apart, forming battle lines, falling, rising and coming back for more, again and again and again. This is an ensemble piece of highly proficient actors, beautifully choreographed and delivering acting perfection. The National Theatre of Scotland deserves a medal for this play.

Continue ReadingREVIEW: Black Watch, Barbican (2008)

REVIEW: AfterLife by Michael Frayn, Lyttelton, National Theatre (2008)

Michael Frayn's portrait of Max Reinhardt dismays "The guests are milling hopelessly around.  They haven't been directed."Max Reinhardt Michael Frayn’s literary works are nothing if not accomplished. His latest play…

Continue ReadingREVIEW: AfterLife by Michael Frayn, Lyttelton, National Theatre (2008)
Read more about the article REVIEW: War Horse, Olivier Theatre (2007)
Craig Leo ( puppeteer) Joey ( puppet) - Photo: Simon Annand

REVIEW: War Horse, Olivier Theatre (2007)

What Michael Morpurgo's novel does is to place the horse centre stage, so that episodes in the First World War are seen from an equine point of view. The curious effect is that in this "war to end all wars" you realise that on the opposing side are good men who love horses. You hate what war does because horses get hurt and killed or die of overwork and malnutrition. But how to stage a play where the central character is a horse?

Continue ReadingREVIEW: War Horse, Olivier Theatre (2007)