REVIEW: An Actor Convalescing in Devon, Hampstead (2024)
It's not acting, it's empathy “One gets wonderful lighting in hospitals.” The actor PAUL JESSON (Photo: The Other Richard) This play was written for Paul Jesson by…
It's not acting, it's empathy “One gets wonderful lighting in hospitals.” The actor PAUL JESSON (Photo: The Other Richard) This play was written for Paul Jesson by…
Ben Whishaw plays John, the ultimate ambivalent man who mostly lives happily in a homosexual relationship with M (Andrew Scott) until he accidentally meets and has sex with a woman, W (Katherine Parkinson). From then on John vacillates between staying with the man and leaving to be with the woman.
I am the first to admit that King Lear, of Shakespeare’s great tragedies, is the one that fills me with little joy at the prospect of seeing it again. But here at London’s Donmar Warehouse with Michael Grandage at the helm and Derek Jacobi in the title role is a production to prove my misgivings not just unfounded but as foolish as the old man. This is the definitive Lear for my money, the one to which all others should aspire. Nothing annoys. Nothing grates. All builds a perfect and avoidable tragedy.