Read more about the article REVIEW: Witness for the Prosecution, County Hall (2021) extends to 16th April 2023
Jonathan Firth as Sir Wilfrid Robarts (Photo: Ellie Kurttz)

REVIEW: Witness for the Prosecution, County Hall (2021) extends to 16th April 2023

Along the way we are treated to spirited performances. The casual way Emer McDaid's Romaine Vole steals a cigarette from Sir Wilfrid tells us what a wrong'un she is and her accent is a master class in doing the quintessential European femme fatale. Joe McNamara's Leonard Vole is a man on the edge in more ways than one. Jonathan Firth's Sir Wilfrid is a master of words but it is his face that shows his torment when his courtroom victory turns out to be... anything but.

Continue ReadingREVIEW: Witness for the Prosecution, County Hall (2021) extends to 16th April 2023

REVIEW: All My Sons, Apollo Theatre (2010)

Zoë Wannamaker, steely and determinedly in denial, contrasting with her unruly hair which escapes from the pinned back style, opens the play with the symbolic device Howard Davies used ten years ago. During the thunderstorm, Kate wakes and comes into the garden and sees the trunk of the apple tree, which was planted for Larry, crack in two. If anyone believed in omens this would be it. As Kate recalls her dream we hear the roaring noise of aircraft engines behind the wind and storm. Her low groans when she reads the letter strike to the depths of a bottomless emotional chasm, a mother's love for her son.

Continue ReadingREVIEW: All My Sons, Apollo Theatre (2010)
Read more about the article REVIEW: All My Sons, Cottesloe, National Theatre (2000)
Ben Daniels as Chris and James Hazeldine as Joe Keller (Photo: Ivan Kyncl}

REVIEW: All My Sons, Cottesloe, National Theatre (2000)

Set in an American town in the 1940s, the play looks at the conflict between the pressure to make money and ethics or personal responsibility. The cupboards are full of metaphorical skeletons. Director Howard Davies, who two years ago directed the acclaimed production of The Iceman Cometh in London and on Broadway, has revived Miller's play in a tense and exciting production.

Continue ReadingREVIEW: All My Sons, Cottesloe, National Theatre (2000)