Read more about the article REVIEW: The Haystack, Hampstead Theatre (2020)
Oliver Johnstone (Neil), Enyi Okoronkwo (Zef) and Sarah Woodward (Hannah) - Photo: Ellie Kurttz

REVIEW: The Haystack, Hampstead Theatre (2020)

It starts so very well . . . . and gets better. Sarah Woodward as Hannah in charge of counter terrorism looking for two technies to form a task force to investigate leaks to The Sun and the Guardian newspapers from the Ministry of Defence, about British armed forces and secret arms deals with Saudi Arabia.

Continue ReadingREVIEW: The Haystack, Hampstead Theatre (2020)
Read more about the article REVIEW: The Gift, Theatre Royal  Stratford East (2020)
Shannon Hayes as Princess Sarah and Donna Berlin as Aggie - Photo: Ellie Kurttz

REVIEW: The Gift, Theatre Royal Stratford East (2020)

Janice Okoh's play The Gift for Eclipse, a Black Theatre company which fosters and supports black artists in the North of England, is a comedy of manners and a satire on race relations over two centuries. Based on Queen Victoria's black goddaughter Sarah Bonetta Davies who was gifted to the queen after she recognised the 5 year old's intelligence, the play is constructed around three tea parties.

Continue ReadingREVIEW: The Gift, Theatre Royal Stratford East (2020)
Read more about the article REVIEW: High Fidelity, The Turbine Theatre (2019)
Oliver Ormson as Rob (centre) and company of High Fidelity - Photo: Mark Senior

REVIEW: High Fidelity, The Turbine Theatre (2019)

I'd happily go to see High Fidelity again. Oliver Ormson can act as well as sing and Shanay Holmes's clear voice is a dream for Laura's sweet nature. Robert Tripolino's Maharishi influenced character is the one we love to hate. The songs are tuneful, poppy and witty and the whole show colourful and well choreographed by the director Tom Jackson Greaves.

Continue ReadingREVIEW: High Fidelity, The Turbine Theatre (2019)