The Capulets' masked ball is a socially distanced, visual masterpiece. The music has a heavy beat, maybe heavy metal, and masked figures dance singly and assertively on the scaffolding tiers, all of them flinging off cloaks to reveal clothes that sparkle and shine and shimmer. The dance is more war dance than ballroom.
David Jonsson has wonderfully expressive hands, his long fingers often outstretched to communicate. His enthusiasm when describing the dishes of food animatedly or his reflecting on his unexpected first journey in a limousine charm. There is humour too, he says, "I have a feeling she may die on my birthday," and gives us a wry look.
There are too few plays which mention the menopause. Have I lost my male readers at this point? Please stay. In Deborah Bruce's new play Raya, the central figure Alex (Claire Price) is 49 and has just attended a reunion at her university organised on Facebook. Thirty years on from their October start. She has gone specifically to meet Jason (Bo Poraj) with whom she had an affair when they were undergraduates.